Dark Matter Motion / Production & shoots
Production& shoots.
We shoot scripted spots and b-roll, then finish them ourselves. Because the same team edits and animates the spot, we know exactly which shots make it look great and which b-roll drives the message home. We'll come to you.
Start a spotScaled tothe budget
Different ways to shoot, depending on the budget: bring in an ARRI Alexa for a cinematic anchor spot, or shoot on a Sony FS7 when the budget is lean.
Shot forthe edit
We plan the shoot around the cut, so every setup earns its place and nothing gets missed: the candidate, the story and the b-roll that emphasizes the message.
We'll cometo you
Wherever the campaign is, we'll bring the crew and the camera to you.
Finished spots
All selected spots →How it works
- 01Scope and budgetTell us what you want to shoot, the air date and the budget, and we'll recommend the right way to shoot it.
- 02Plan the shootShot list and b-roll plan built around the edit, plus locations and scheduling.
- 03ShootOn ARRI Alexa or Sony FS7, wherever the campaign is.
- 04FinishEdit, motion graphics, sound design, mix and master, then broadcast and social versions.
Questions
What cameras do you shoot on?
We scale to the budget: an ARRI Alexa for a cinematic anchor spot, or a Sony FS7 for leaner shoots.
Will you travel for a shoot?
Yes. We'll come to you, wherever the campaign is.
Can you shoot b-roll only?
Yes. We can shoot b-roll packages to support an edit, whether we cut the spot or another team does.
Do you finish the spot too?
Yes. The same team edits, animates, designs the sound and mixes and masters the spot, so it arrives ready for air.